Babi Yar Analysis of the Poem Essay Example For Students

Babi Yar Analysis of the Poem Essay Yevtushenko speaks in first person throughout the poem. This creates the tone of him being in the shoes of the Jews. As he says in lines 63-64, No Jewish blood is mixed in mine, but let me be a Jew . . . He writes the poem to evoke compassion for the Jews and make others aware of their hardships and injustices. Only then can I call myself Russian. lines 66-67. The poet writes of a future time when the Russian people realize that the Jews are people as well accept them as such. If you hate the Jews, he asks, why not hate me as well? True peace and unity will only occur when they have accepted everyone, including the Jews. Stanza I describes the forest of Babi Yar, a ravine on the outskirts of Kiev. It was the site of the Nazi massacre of more than thirty thousand Russian Jews on September 29-30, 1941. There is no memorial to the thirty thousand, but fear pervades the area. Fear that such a thing could occur at the hands of other humans. The poet feels the persecution and pain and fear of the Jews who stood there in this place of horror. Yevtushenko makes himself an Israelite slave of Egypt and a martyr who died for the sake of his religion. In lines 7-8, he claims that he still bars the marks of the persecution of the past. There is still terrible persecution of the Jews in present times because of their religion. These lines serve as the transition from the Biblical and ancient examples he gives to the allusions of more recent acts of hatred. The lines also allude to the fact that these Russian Jews who were murdered at Babi Yar were martyrs as well. The next ezza reminds us of another event in Jewish history where a Jew was persecuted solely because of his religious beliefs. The poet refers to the pettiness line 11 of anti-Semitism as the cause of Dreyfus imprisonment. Anti-Semitism is his betrayer line 12 when he is framed, and anti-Semitism is his judge line 12 when he is wrongly found guilty. Lines 13-14 claim that even the fine and supposedly civilized women of society shun Dreyfus because he is a Jew and fear him like they would fear an animal. In ezza III, Yevtushenko brings himself to the midst of the pogroms of Bielostok. He gives the readers the image of a young boy on the floor being beaten and bleeding while he witnesses others beat his mother. In line 24, he gives the reader the rationale of the Russians who are inflicting such atrocities on the Jews. Murder the Jews! Save Russia! They view the Jews as the curse of Russia; a Jewish plague that must end in order to save their country from evil. In a way they think that they are acting in patriotism. The poet transports us to Anne Franks attic in the fourth ezza. He describes to the reader the innocent love that has blossomed between Anne and Paul. Her love of the world and life and spring has been denied her line 30. Yet, she manages to find comfort for her loss in the embrace of her beloved. In line 33, Yevtushenko shows the reader Annes denial of what is going on around her. She tries to drown out the noise of the Nazis coming to get her. When her precious spring comes, so do the war and the Nazis to take her to her death. Stanza V brings us back to the ravine of Babi Yar. In line 40, the poet chooses to personify the trees. They stare down on him in judgement as G-d would. Line 41 is oxymoronic. There is a silent mourning for the martyred Jews by the air; a force in nature. The air around Babi Yar howls for the massacre it has witnessed. The poet himself claims to be an endless soundless howl/ over the buried lines 43-44. .u81fe901cc93a91fd5fc918808f030de8 , .u81fe901cc93a91fd5fc918808f030de8 .postImageUrl , .u81fe901cc93a91fd5fc918808f030de8 .centered-text-area { min-height: 80px; position: relative; } .u81fe901cc93a91fd5fc918808f030de8 , .u81fe901cc93a91fd5fc918808f030de8:hover , .u81fe901cc93a91fd5fc918808f030de8:visited , .u81fe901cc93a91fd5fc918808f030de8:active { border:0!important; } .u81fe901cc93a91fd5fc918808f030de8 .clearfix:after { content: ""; display: table; clear: both; } .u81fe901cc93a91fd5fc918808f030de8 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u81fe901cc93a91fd5fc918808f030de8:active , .u81fe901cc93a91fd5fc918808f030de8:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u81fe901cc93a91fd5fc918808f030de8 .centered-text-area { width: 100%; position: relative ; } .u81fe901cc93a91fd5fc918808f030de8 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u81fe901cc93a91fd5fc918808f030de8 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u81fe901cc93a91fd5fc918808f030de8 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u81fe901cc93a91fd5fc918808f030de8:hover .ctaButton { background-color: #34495E!important; } .u81fe901cc93a91fd5fc918808f030de8 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u81fe901cc93a91fd5fc918808f030de8 .u81fe901cc93a91fd5fc918808f030de8-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u81fe901cc93a91fd5fc918808f030de8:after { content: ""; display: block; clear: both; } READ: A Summer Life Rhetoric Analysis EssayHe is a mourner for the thirty thousand, but there is nothing that can be said. He writes that e is every one of thirty thousand and feels their pain and injustice. In no limb of my body can I forget. line 57. His physical body feels their pain. Limbs depicts an image of mangled bodies in the mass grave of Babi Yar. Stanza VI begins with Yevtushenko reminding the Russian people of their ability to be good hearted and moral. He speaks of men with dirty hands lines 52-53. Fascists, Nazis whose hands are covered in the blood of the innocent, come to Russia and cause the Russians to close their magnanimous hearts. The tone of lines 52-54 is cruel and harsh like the actions of the Nazis. These hateful people claim to bring the union of the Russian people line 59. He makes a point of referring to these people as anti-Semites line 57 because the Jews are Russians, too. The Nazis in effect have turned Russian against Russian hardly a union. In the last ezza, the poet calls for world unity which will only occur when anti-Semitism has ended. He is not a Jew, yet he equates himself to one. If all Russians are people, then the Jews are no less Russian or less human than he himself. If this is the way you treat these Russian people, he is trying to express, then treat me, a real Russian, as you have treated the Russian Jews. Only then will all Russians truly be united and equal. Yevtushenko is a supporter of the Jewish plight. He sees the injustice that they have been subject to and feels responsible for it in a way. He tries to rationalize why his people, the Russians, have acted so immorally and blames their actions on the influence of others. He calls to his people to reform; simultaneously urging the Jews not to blame them entirely for their actions and to show that they do have natural goodness within them.